This composure is haunted by the decay of Time as an object of sound — released in 2002/3, when crystal clean digital albums could be released and the decay of objects like tapes was becoming less of an issue, William leveraged it for the recording of this composition.
I’ve always been impressed how satisfied I am by these sounds. I’m someone who often, like some drugged up bee, jumps from loud sound to loud sound to sustain my dopamine while focusing on a task. These loops remove that need and let me reach a deeper level of focus, the looping giving me a reliable structure to lean on.
There are sounds in here that are impossible for me to describe as well and I simply wont try.
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